(Some of the ancient) murals that survive now date from the pre-christian era. Their survival ,inspite of centuries of neglect and depredations, eloquently speaks of the soundness and excellence of the technical methods and processes employed by our artists of old.’
-Prof S.K.Saraswathi (in foreword to Jayanta Chakrabarti’s ‘Techniques in Indian Mural Painting’
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Dhyanasankalpam is an Openstudio for Indian (Kerala) murals,and here we regard the pursuit of pure aesthetic experience,as Yoga. Its an exalted experience not just for the individual artist but for the whole community and even humanity, that which touches and consorts with every aspect of Indian life. We at Dhyanasankalpam create works that would last a millennium or two if not for posterity, like the murals of Ajanta.All that you have to ensure for us are walls that would last just as long.
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Blog Archive
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2010
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February
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- Day 8 at ' the flute recital'
- Beauty is the eye discovering in our world what th...
- Where have all the murals gone?
- Poetry and painting,
- Islam and Painting
- Dharana-Dhyaana-Samadhi:from Patanjali’s Yoga Sutra
- the rasika (connoisseur)
- The Artist
- Time and Memory in Art:
- Pratibha: in Indian Poetics
- Some Important Aesthetic Concepts:
- Rasa theory:
- The rasa -experience- 'rasaanubhuti'
- Yashodhara ‘s ‘Shad-anga’ :the six limbs of the ar...
- Essential nature of Indian Art
- ‘A master artist has also to be a master technician’
- Writers on Aesthetics (with focus on Poetics) of A...
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February
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Our mission
- Dhyanasankalpam
- calicut, kerala, India
- The ageless sense of Indian aesthetics or concept of beauty,is reflected in Indian Murals.It is an open activity.It is team work and also a community based art form.DhyanaSankalpam -an Openstudio for Kerala Murals attempts to uphold the ageless traditions.